|
About category "reflux"
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|
0
|
2268
|
October 4, 2014
|
|
"Truth and Politics" by Hannah Arendt
|
|
0
|
14561
|
June 17, 2017
|
|
Hubert Dreyfuss on Husserl, Heidegger and Sartre (1970s)
|
|
0
|
2043
|
March 26, 2017
|
|
Mr. Moustache (Nirvana)
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|
0
|
1490
|
March 12, 2017
|
|
Guy Debord's "Critique de la séperation" (1961)
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|
0
|
1940
|
January 11, 2017
|
|
"Huxley's Feelies - The Cinema of Sensation in Brave New World" (2006), essay by Laura Frost
|
|
0
|
2785
|
October 14, 2016
|
|
"Democratic, ecological, gender-liberated society"
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|
5
|
5138
|
October 20, 2015
|
|
"decay, territory, forms, cosmos, violence"
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|
0
|
2532
|
July 22, 2015
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|
Rereading Martha Rosler, "The Artistic Mode of Revolution: From Gentrification to Occupation" in light of Greece
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|
0
|
3813
|
July 21, 2015
|
|
Creative Commons as a curatorial strategy for commoning?
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|
0
|
2178
|
April 26, 2015
|
|
The interval forms of decay
|
|
0
|
2890
|
April 2, 2015
|
|
The evidentiary burdens of criticism, or: is a review an island?
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|
2
|
3609
|
March 2, 2015
|
|
"Against the Nude"
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|
0
|
2154
|
December 23, 2014
|
|
"'He doesn’t like black people,' said Mykki Blanco. 'He likes black culture.'"
|
|
1
|
3277
|
December 19, 2014
|
|
Meanwhile in Miami
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|
4
|
2444
|
December 12, 2014
|
|
"Man in the Anthropocene (as portrayed by the film Gravity)"
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|
1
|
2169
|
December 12, 2014
|
|
Hal Foster in Interview on regrets, criticism, and the future: "I ate up theory like it was hash brownies."
|
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0
|
6500
|
December 10, 2014
|
|
"Gwanjgu’s biennial feels theatrical and often macabre, while here in Shanghai, the prevailing mode is stoicism, punctuated by moments of manifest political and personal distress."
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|
1
|
1920
|
December 8, 2014
|
|
Visualizing discourse (the rhythm of the cigarette gives each person a turn)
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|
2
|
2840
|
December 7, 2014
|
|
The Guardian: "Russian artist cuts off earlobe in protest at use of forced psychiatry on dissidents"
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|
0
|
2292
|
October 21, 2014
|
|
ArtNews reports that Carol Vogel has retired from the New York Times
|
|
2
|
2728
|
December 5, 2014
|
|
Did Putin Use a Picasso from the Hermitage as a World Cup Bribe?
|
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0
|
1848
|
December 3, 2014
|
|
"The Art of Conversation": a New Yorker profile on Hans Ulrich Obrist
|
|
0
|
3624
|
December 3, 2014
|
|
School of the future
|
|
3
|
2824
|
November 16, 2014
|
|
"Museum Insiders Behind Massive $250M Turkish Art Heist"
|
|
0
|
2074
|
November 13, 2014
|
|
"Emerging Artists and the New Spirit of Capitalism"
|
|
2
|
4773
|
November 12, 2014
|
|
Advice for emerging artists: "Don't work for free for rich people"
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|
2
|
5786
|
November 9, 2014
|
|
"The Creepy New Wave of the Internet"
|
|
0
|
2389
|
November 8, 2014
|
|
"If Afropolitanism commodifies African culture, does Afropolitanism exist in art and do the same?"
|
|
0
|
2036
|
November 4, 2014
|
|
"So far, the 21st century has been a rotten one for the western model"
|
|
1
|
2970
|
November 3, 2014
|