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In Conversation with Adam Curtis, Part I


#1

Since the early 1990s Adam Curtis has made a number of serial documentaries and films for the BBC using a playful mix of journalistic reportage and a wide range of avant-garde filmmaking techniques. The films are linked through their interest in using and reassembling the fragments of the past—recorded on film and video―to try and make sense of the chaotic events of the present. I first met Adam Curtis at the Manchester International Festival thanks to Alex Poots, and while Curtis himself is not an artist, many artists over the last decade have become increasingly interested in how his films break down the divide between art and modern political reportage, opening up a dialogue between the two.

This multi-part interview with Adam Curtis began in London last December, and is the most recent in a series of conversations published by e-flux journal that have included Raoul Vaneigem, Julian Assange, Toni Negri, and others, and I am pleased to present it in the coming issues the journal in conjunction with a solo exhibition I have curated of Curtis’s films from 1989 to the present day. The exhibition is designed by Liam Gillick, and will be on view at e-flux in New York from February 11–April 14, 2012.

—Hans Ulrich Obrist


Read the full article here.