Hillbilly Elegy: A Memoir of a Family and Culture in Crisis, a recently published book by J. D. Vance, has been sparking a lot of discussion in the US lately. By telling his own story of growing up poor and white in a decaying steel town in Ohio, Vance provides a window into the declining economic fortunes of small-town whites from the US heartland—the demographic that has thrown its support behind Donald Trump. At the New Yorker website, Joshua Rothman explains how the personal details and nuanced political reflections in Vance's book demonstrate that we have a woefully inadequate grasp of what causes poverty and how it might be overcome. Here's an excerpt from Rothman's piece:
It’s through these back doors of memory and family history that “Hillbilly Elegy” arrives at its broadest subject: our hopelessly politicized approach to thinking about poverty. At least since the Moynihan Report, in 1965, Americans have tended to answer the question “Why are people poor?” by choosing one of two responses: they can either point to economic forces (globalization, immigration) or blame cultural factors (decaying families, lack of “grit”). These seem like two social-science theories about poverty—two hypotheses, which might be tested empirically—but, in practice, they are more like political fairy tales. As Kelefa Sanneh wrote earlier this year, the choice between these two explanations has long been racialized. Working-class whites are said to be poor because of outsourcing; inner-city blacks are imagined to be holding themselves back with hip-hop. The implicit theory is that culture comes from within, and so can be controlled by individuals and communities, whereas economic structures exert pressures from without, and so are beyond the control of those they affect.
This theory is useful to politicians, because political ideologies function by identifying some people as powerless and others as powerful. The truth, though, is that the “culture vs. economics” dyad is largely a fantasy. We are neither prisoners of our economic circumstances nor lords of our cultures, able to reshape them at will. It would be more accurate to say that cultural and economic forces act, with entwined and equal power, on and through all of us—and that we all have an ability, limited but real, to harness or resist them. When we pursue education, we improve ourselves both “economically” and “culturally” (and in other ways); conversely, there’s nothing distinctly and intrinsically “economic” or “cultural” about the problems that afflict poor communities, such as widespread drug addiction or divorce. (If you lose your job, get divorced, and become an addict, is your addiction “economic” or “cultural” in nature?) When we debate whether such problems have a fundamentally “economic” or “cultural” cause, we aren’t saying anything meaningful about the problems. We’re just arguing—incoherently—about whether or not people who suffer from them deserve to be blamed for them. (We know, meanwhile, that the solutions—many, partial, and overlapping—aren’t going to be exclusively “economic” or “cultural” in nature, either.)
Image: J. D. Vance’s home town of Middletown, Ohio. Via the New Yorker.