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Harun Farocki: "What Ought to be Done"

The Harun Farocki Institut, in collaboration with Motto Books, has republished a 1975 pamphlet written by Harun Farocki entitled “What Ought to be Done” (Was getan werden soll). In the pamphlet, Farocki calls for the creation of a institution for documentary filmmaking that will “organize a coalition of working people, not from an abstract understanding but from the contact points of their work.” It is a remarkable document from a filmmaker who was as politically committed as he was artistically gifted. The republished version of “What Ought to be Done” is bilingual—in German and English—and includes a commentary by Tom Holert, Doreen Mende, and Volker Pantenburg, and a letter written in 1975 by documentary filmmaker Peter Nestler in response to Farocki’s pamphlet. Check out an excerpt below, or a PDF of the full pamphlet here.

The specific purpose of utilization/expression in journalism also prevents the adequately intense and continuous investigation of a subject.

Moreover, not enough research is being done on what really constitutes a useful library of images; the systematic and what defies systematization.

What is called documentation shows the world as if it were known, which has the effect that a few years later, we can no longer experience what it looked like. Images must be made with which today’s strange world can be discovered and the present becomes history. We need to produce building blocks. First we need to develop them, and then we have to assemble and disassemble.

With an institution like this we can also organize a coalition of working people, not from an abstract understanding but from the contact points of their work.

Image of Harun Farocki via IndieWire.

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Having read the first part of the first chapter (“What ought to be done”) I wonder if there are groups of artists/ film makers that engage in a practice as indicated in Farocki’s text - whether in reference to him or otherwise.

First thing that pops up in my mind is “Field of Vision”, albeit they partly emerge from a journalistic background: Farocki criticizes “journalistic” film or TV as “ill suited to documenting the real world in a way that enables you to work with the sources”. Obviously they are not doing journalistic journalism but work with a documentary approach, and more significantly act similar to Farocki’s idea of an institution that enables people or teams “to realize documentary investigations on film”. Farocki’s late project [“Labour in a single shot”/“Eine Einstellung zur Arbeit” (2011-2014)] (http://www.labour-in-a-single-shot.net/en/films/)* certainly can be seen as an execution of his idea of coordinating “the work of several teams working on specific subjects” or a specific subject, as well as in relation to the films realized through “Field of Vision”.

Maybe it would be interesting to compare the two in more detail to figure out if his ideas are (/can) actually (be) put to practice and to share other collectives/artists/filmmakers that may be linked to Farocki’s ideas.

*read about the work’s concept here: http://www.labour-in-a-single-shot.net/en/project/concept/

pad.ma:

"pad.ma - short for Public Access Digital Media Archive - is an online archive of densely text-annotated video material, primarily footage and not finished films. The entire collection is searchable and viewable online, and is free to download for non-commercial use.

We see Pad.ma as a way of opening up a set of images, intentions and effects present in video footage, resources that conventions of video-making, editing and spectatorship have tended to suppress, or leave behind. This expanded treatment leads us into lesser-known territory for video itself… beyond the finite documentary film or the online video clip.

The design of the archive makes possible various types of “viewing” and contextualisation: from an overview of themes and timelines to much closer readings of transcribed dialogue and geographical locations, to layers of “writing” on top of the image material. Descriptions, keywords and other annotations have been placed on timelines by both archive contributors and users.

The Pad.ma project was initiated by a group consisting of CAMP, from Mumbai, 0x2620 from Berlin, and the Alternative Law Forum from Bangalore. Two other organisations from Mumbai, Majlis and Point of View were part of its initiation.

It was supported at its inception by a seed grant from HIVOS. Since 2010, Pad.ma is being supported by its many contributors and by grants from the Bohen Foundation and the Foundation for Arts Initiatives." [from http://pad.ma/about]

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