If you take a close look, you can see it.
With The Atlas Group (1989–2004), I spent fifteen years working on a project about the wars in Lebanon. I have known and I have seen how the Lebanese wars of the past four decades have affected Lebanon’s residents physically and psychologically—from the one hundred thousand plus who have been killed, to the two hundred thousand plus who have been wounded, to the million plus who have been displaced, to the even more who have been psychologically traumatized.
I have also seen and I have known how the Lebanese wars of the past four decades have affected Lebanese cities, their neighborhoods, buildings, and streets. But what I had not considered was how the wars can also affect colors, lines, shapes, and forms.
Some of these colors, lines, shapes, and forms are affected physically, and, like burned books or razed monuments, they are materially destroyed and lost forever. We can never access them again.
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