In praise of "difficult" art
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0
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2987
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February 4, 2015
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Heidegger, circa 2015
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0
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2971
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June 24, 2015
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Is Germany a "neocolonial" force in the global economy?
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7
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5812
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August 30, 2015
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e-flux journal redux: Paul Chan, 'What Art Is and Where it Belongs'
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0
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2902
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January 4, 2016
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bell hooks on Beyoncé's 'Lemonade'
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0
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16261
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May 10, 2016
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Moral of the Extinction Marathon: We're in a crisis because of rampant abuses of power. Now what?
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0
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2788
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October 19, 2014
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Hito Steyerl on "Duty-Free Art"
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0
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2787
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March 6, 2015
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Santiago Zabala on "emergency aesthetics" and the demands of art
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6
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10519
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July 21, 2017
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McKenzie Wark takes over Verso's blog
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0
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2749
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February 26, 2015
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Superconversations Day 27: Mohammad Salemy responds to Gertrude Stein, "The Making of Americans"
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0
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2744
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June 11, 2015
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Doreen Mende on making mail art in a surveillance state
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0
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2707
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February 13, 2015
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Superconversations Day 30: Sam Sackeroff responds to Jean-Luc Nancy, "Oh the Animals of Language"
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0
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2573
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June 16, 2015
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L’Ancien Régime Strikes Back: Letter to Paul B. Preciado
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2
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14294
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January 26, 2018
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Pierre Huyghe's "ultra-exclusive ephemeral happening"
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0
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2429
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May 15, 2015
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Homai Vyarawalla: A Portrait of a Groundbreaking Photographer
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0
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13503
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September 5, 2017
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THE ANTHROPOCENE IN 90 MINUTES By Maria Chehonadskih
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0
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2398
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September 25, 2015
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Check out the Greek Minister of Finance's texts for WdW Review
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0
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2371
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March 16, 2015
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Galleries Against Gaslighting: How can the UK art world respond to Grenfell?
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3
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20974
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June 27, 2017
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David Graeber on bullshit jobs
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2
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4271
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August 23, 2015
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Some points to consider if you're an artist who wants to make work about refugees
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3
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20520
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October 28, 2015
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What happens when contemporary art goes viral mainstream?
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0
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2295
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December 11, 2014
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The poetry of deindustrialization
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0
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2286
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May 2, 2017
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Why has there been such a boom in art book fairs?
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2
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7299
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April 16, 2015
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Sreshta Rit Premnath: Critique as Unlearning
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3
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11158
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May 11, 2017
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Nearly a third of all museum solo shows feature artists represented by 5 megagalleries
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1
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8746
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April 6, 2015
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"The Creepy New Wave of the Internet"
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0
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2190
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November 8, 2014
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"Economic migrants" are refugees too
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0
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2185
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November 4, 2016
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Superconversations Day 82: Natalia Valencia responds to Giuliana Bruno, "Surface Encounters"
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0
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2174
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August 27, 2015
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Letters against Separation – Furqat Palvan-Zade in Tashkent
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6
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8170
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August 17, 2020
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What are the best texts on the politics of refusing "dirty money" in the arts?
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5
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4842
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April 10, 2015
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Andrea Fraser on art museums and prisons
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1
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4675
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April 16, 2016
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Yvonne Rainer, "No Manifesto"
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1
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26259
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April 27, 2015
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Is technology really making us sad, isolated, and incommunicative?
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0
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2036
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February 2, 2016
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"The artist is an unaware sociologist"
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1
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4553
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June 12, 2015
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Arendt's writing on statelessness is more relevant than ever
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2
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6580
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September 20, 2016
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Are hipsters and artists the gentrifying foot soldiers of capitalism?
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2
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20299
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September 21, 2016
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Alain Badiou: "There exists an essential link between poetry and communism"
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0
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11034
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October 6, 2016
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Gayatri Spivak on Derrida, the subaltern, and her life and work
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0
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61417
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August 1, 2016
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Superconversations Day 74: Vladislav Surkov responds to Ilya Budraitskis, "The Extraordinary Adventures of Guy Fawkes"
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1
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4280
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August 26, 2015
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A basic income for social justice, not bare survival
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0
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1911
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May 4, 2017
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Philosophy as interdisciplinary intensity: An interview with Giorgio Agamben
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0
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10697
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February 14, 2017
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Women's invisible labor and the art world
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3
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30063
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December 4, 2016
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Professor Sara Ahmed resigns from Goldsmiths
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2
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34589
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June 14, 2016
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The life and death of Claude Cahun
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0
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10539
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December 16, 2015
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Boris Groys: "The politics of modern and contemporary art is the politics of nonidentity"
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0
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10482
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March 4, 2016
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Has art become irrelevant?
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0
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10291
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August 19, 2015
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Trailer released for new Adam Curtis film "HyperNormalisation"
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4
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14329
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October 14, 2016
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"Museum Insiders Behind Massive $250M Turkish Art Heist"
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0
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1793
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November 13, 2014
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Reality is not real, according to one cognitive scientist
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2
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32508
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May 17, 2016
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e-flux journal: Anna T. on queer languages
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0
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1780
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December 10, 2014
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