|
Notes on the Inorganic, Part II: Terminal Velocity
|
|
0
|
6799
|
February 21, 2017
|
|
Sexual Difference and Ontology
|
|
0
|
7851
|
February 21, 2017
|
|
In Conversation with Adam Curtis, Part II
|
|
0
|
7269
|
February 21, 2017
|
|
One Divides into Two
|
|
0
|
7258
|
February 21, 2017
|
|
Not-Mother: On Freud’s Verneinung
|
|
0
|
7094
|
February 21, 2017
|
|
No Good Time for an Exhibition: Reflections on the Picasso in Palestine Project, Part I
|
|
0
|
6407
|
February 21, 2017
|
|
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part I
|
|
0
|
6704
|
February 21, 2017
|
|
Hegel and Freud
|
|
0
|
8964
|
February 21, 2017
|
|
Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967-1974), Part II
|
|
0
|
5448
|
February 21, 2017
|
|
Eikonomia: Notes on Economy and the Labor of Art
|
|
0
|
6108
|
February 21, 2017
|
|
Dubai: A City Manufactured by Curiosity
|
|
0
|
5047
|
February 21, 2017
|
|
Assemblages: Félix Guattari and Machinic Animism
|
|
0
|
7708
|
February 21, 2017
|
|
Darwin’s Dog and the Parasol: Cultural Reactions to Animism
|
|
0
|
5534
|
February 21, 2017
|
|
On Animism, Modernity/Colonialism, and the African Order of Knowledge: Provisional Reflections
|
|
0
|
7138
|
February 21, 2017
|
|
Introduction—“Animism”
|
|
0
|
5444
|
February 21, 2017
|
|
The Last Pictures: Interview with Trevor Paglen
|
|
0
|
6853
|
February 21, 2017
|
|
There’s Nothing to See Here: Erasing the Monochrome
|
|
0
|
5867
|
February 21, 2017
|
|
Captives of the Cloud: Part II
|
|
0
|
7227
|
February 21, 2017
|
|
665: The Least of All Possible Evils
|
|
0
|
6804
|
February 21, 2017
|
|
In Praise of Books: When Authorities Close a Prison, They Foil a Revolution!
|
|
0
|
4746
|
February 21, 2017
|
|
Facebook: A Court of Ignorant, Cruel Judges
|
|
0
|
5577
|
February 21, 2017
|
|
Editorial—“Structural Violence”
|
|
0
|
4762
|
February 21, 2017
|
|
Emancipation of the Sign: Poetry and Finance During the Twentieth Century
|
|
0
|
6825
|
February 21, 2017
|
|
Conceptual Art and Eastern Europe: Part I
|
|
0
|
6830
|
February 21, 2017
|
|
In His Reading Chair
|
|
0
|
4899
|
February 21, 2017
|
|
An Introduction to the New Syrian National Archive
|
|
0
|
5689
|
February 21, 2017
|
|
The Common in the Time of Creative Reproductions: On Gerald Raunig’s Factories of Knowledge, Industries of Creativity
|
|
0
|
5729
|
February 21, 2017
|
|
Editorial—“Politics of Shine”
|
|
0
|
5948
|
February 21, 2017
|
|
Déjà Vu and the End of History
|
|
0
|
7247
|
February 21, 2017
|
|
To Make a World, Part III: Stateless Democracy
|
|
0
|
6911
|
February 21, 2017
|