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Kafka contemplates his messy desk [Frontpage] (1)
Dan Fox defends pretentiousness [Frontpage] (1)
Cory Doctorow: “I am skeptical that capitalism has a future” [Frontpage] (1)
The fall of idealistic architecture from the 1960s and '70s [Frontpage] (1)
Chris Kraus interviewed by Anna Poletti [Frontpage] (1)
Levi Paul-Bryant on the term 'object-oriented ontology' and imprisoned language [Frontpage] (1)
"The unconscious is the last activist" [Frontpage] (1)
The de-internationalization of the Chinese art world [Frontpage] (1)
Elena Ferrante's Neapolitan Novels to be adapted for TV [Frontpage] (1)
Eileen Myles on waiting for love [Frontpage] (1)
Ekaterina Degot on the Cologne attacks and German xenophobia [Frontpage] (3)
How do you make a living, mid-career artist? [Frontpage] (1)
"Syriza has sold its soul for power" [Frontpage] (1)
RetroDada Manifesto: "There is a lot of negative work to be done" [Frontpage] (2)
Live coverage: Dhaka Art Summit Critical Writing Ensemble ( 2 ) [Frontpage] (27)
Toward a new global recession? [Frontpage] (1)
McKenzie Wark on building a new infrastructure within the ruins of the old [Frontpage] (1)
Are all-female exhibitions problematic? [Frontpage] (5)
For photo op, Ai Weiwei poses as dead refugee toddler from iconic image [Frontpage] (6)
A laborless eden? [Frontpage] (1)
A farewell to totality: On Benjamin H. D. Buchloh [Frontpage] (1)
Notes from Benjamin Bratton's 'Dispute Plan to Prevent Future Luxury Constitution' book launch at transmediale [Frontpage] (3)
How did Joan Didion become the stuff of legend? [Frontpage] (1)
Hito Steyerl on museums in an age of planetary civil war [Frontpage] (1)
An open letter to Ta-Nehisi Coates and the liberals who love him [Frontpage] (1)
e-flux journal redux: Luis Camnitzer, 'Art and Literacy' [Frontpage] (1)
The impossibility of existing as a writer in Los Angeles [Frontpage] (2)
The explicitly sexual female artists that feminism forgot [Frontpage] (1)
Brian Droitcour on Moscow's public art and institutions in the '90s [Frontpage] (1)
Does the NY Times deliberately make war beautiful? [Frontpage] (3)