|
Carnival to Commons: Pussy Riot, Punk Protest, and the Exercise of Democratic Culture
|
|
0
|
6093
|
December 2, 2016
|
|
Back to the Future: Report from Hungary
|
|
0
|
4759
|
December 2, 2016
|
|
People of Intensity, People of Power: The Nietzsche Economy
|
|
0
|
6144
|
December 2, 2016
|
|
Marx After Duchamp, or The Artist’s Two Bodies
|
|
0
|
6491
|
December 2, 2016
|
|
In Conversation with Julian Assange, Part II
|
|
0
|
7365
|
December 2, 2016
|
|
Neo-Materialism, Part Three: The Language of Commodities
|
|
0
|
6094
|
December 2, 2016
|
|
“A live monster that is fruitful and multiplies”: Capitalism as Poisoned Rat?
|
|
0
|
6032
|
December 2, 2016
|
|
Time, Acceleration, and Violence
|
|
0
|
7207
|
December 2, 2016
|
|
The Future After the End of the Economy
|
|
0
|
7257
|
December 2, 2016
|
|
Neo-Materialism, Part I: The Commodity and the Exhibition
|
|
0
|
8057
|
December 2, 2016
|
|
A History of Infinity and Some Fresh Catastrophes: On Raqs Media Collective’s The Capital of Accumulation
|
|
0
|
4977
|
December 2, 2016
|
|
The Stories Things Tell And Why They Tell Them
|
|
0
|
6365
|
December 2, 2016
|
|
Performing Objects, Narrating Installations: Moscow Conceptualism and the Rediscovery of the Art Object
|
|
0
|
5914
|
December 2, 2016
|
|
Editorial—“Alternative Economies”
|
|
0
|
4504
|
December 2, 2016
|
|
Planktons in the Sea: A Few Questions Regarding the Qualities of Time
|
|
0
|
5824
|
December 2, 2016
|
|
Breaking the Contract
|
|
0
|
6298
|
December 2, 2016
|
|
Let All Mortal Flesh Keep Silence: The Voice in Mike Kelley’s Music
|
|
0
|
6179
|
December 2, 2016
|
|
After the Last Man: Images and Ethics of Becoming Otherwise
|
|
0
|
6740
|
December 2, 2016
|
|
Intangible and Concrete: Notes on Architecture and Abstraction
|
|
0
|
7867
|
December 2, 2016
|
|
The New “Depthiness”
|
|
0
|
7830
|
December 2, 2016
|
|
The Nigerian Connection: On NSK Passports as Escape and Entry Vehicles
|
|
0
|
6544
|
December 2, 2016
|
|
Inside Abstraction
|
|
0
|
6551
|
December 2, 2016
|
|
Animism in the Sciences Then and Now
|
|
0
|
6919
|
December 2, 2016
|
|
Severo’s Severity and Antolín’s Paradox
|
|
0
|
4495
|
December 2, 2016
|
|
Duty-Free Art
|
|
0
|
8960
|
December 2, 2016
|
|
Conceptual Realism: The Vulgar Freedom of Avant-Garde Museum Work
|
|
0
|
6141
|
December 2, 2016
|
|
X-Screens: Röntgen Architecture
|
|
0
|
7315
|
December 2, 2016
|
|
Geopolitics and Contemporary Art, Part I: From Representation’s Ruin to Salvaging the Real
|
|
0
|
7544
|
December 2, 2016
|
|
Digital Provenance and the Artwork as Derivative
|
|
0
|
7480
|
December 2, 2016
|
|
Transdemocracy
|
|
0
|
6073
|
December 2, 2016
|