|
Carnival to Commons: Pussy Riot, Punk Protest, and the Exercise of Democratic Culture
|
|
0
|
7003
|
December 2, 2016
|
|
Back to the Future: Report from Hungary
|
|
0
|
5428
|
December 2, 2016
|
|
People of Intensity, People of Power: The Nietzsche Economy
|
|
0
|
6945
|
December 2, 2016
|
|
Marx After Duchamp, or The Artist’s Two Bodies
|
|
0
|
7446
|
December 2, 2016
|
|
In Conversation with Julian Assange, Part II
|
|
0
|
8466
|
December 2, 2016
|
|
Neo-Materialism, Part Three: The Language of Commodities
|
|
0
|
6991
|
December 2, 2016
|
|
“A live monster that is fruitful and multiplies”: Capitalism as Poisoned Rat?
|
|
0
|
6906
|
December 2, 2016
|
|
Time, Acceleration, and Violence
|
|
0
|
8136
|
December 2, 2016
|
|
The Future After the End of the Economy
|
|
0
|
8171
|
December 2, 2016
|
|
Neo-Materialism, Part I: The Commodity and the Exhibition
|
|
0
|
9184
|
December 2, 2016
|
|
A History of Infinity and Some Fresh Catastrophes: On Raqs Media Collective’s The Capital of Accumulation
|
|
0
|
5676
|
December 2, 2016
|
|
The Stories Things Tell And Why They Tell Them
|
|
0
|
7205
|
December 2, 2016
|
|
Performing Objects, Narrating Installations: Moscow Conceptualism and the Rediscovery of the Art Object
|
|
0
|
6812
|
December 2, 2016
|
|
Editorial—“Alternative Economies”
|
|
0
|
5137
|
December 2, 2016
|
|
Planktons in the Sea: A Few Questions Regarding the Qualities of Time
|
|
0
|
6727
|
December 2, 2016
|
|
Breaking the Contract
|
|
0
|
7111
|
December 2, 2016
|
|
Let All Mortal Flesh Keep Silence: The Voice in Mike Kelley’s Music
|
|
0
|
7123
|
December 2, 2016
|
|
After the Last Man: Images and Ethics of Becoming Otherwise
|
|
0
|
7701
|
December 2, 2016
|
|
Intangible and Concrete: Notes on Architecture and Abstraction
|
|
0
|
8950
|
December 2, 2016
|
|
The New “Depthiness”
|
|
0
|
8948
|
December 2, 2016
|
|
The Nigerian Connection: On NSK Passports as Escape and Entry Vehicles
|
|
0
|
7558
|
December 2, 2016
|
|
Inside Abstraction
|
|
0
|
7420
|
December 2, 2016
|
|
Animism in the Sciences Then and Now
|
|
0
|
7974
|
December 2, 2016
|
|
Severo’s Severity and Antolín’s Paradox
|
|
0
|
5172
|
December 2, 2016
|
|
Duty-Free Art
|
|
0
|
10238
|
December 2, 2016
|
|
Conceptual Realism: The Vulgar Freedom of Avant-Garde Museum Work
|
|
0
|
6993
|
December 2, 2016
|
|
X-Screens: Röntgen Architecture
|
|
0
|
8438
|
December 2, 2016
|
|
Geopolitics and Contemporary Art, Part I: From Representation’s Ruin to Salvaging the Real
|
|
0
|
8584
|
December 2, 2016
|
|
Digital Provenance and the Artwork as Derivative
|
|
0
|
8451
|
December 2, 2016
|
|
Transdemocracy
|
|
0
|
6752
|
December 2, 2016
|