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Letters to the Editors: Eleven Responses to Anton Vidokle’s “Art Without Artists?”
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0
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5988
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January 31, 2017
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In Conversation with Antonio Negri
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0
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6975
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January 31, 2017
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In Conversation with Ilya and Emilia Kabakov
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0
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6891
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January 31, 2017
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The Academy is Back: On Education, the Bologna Process, and the Doctorate in the Arts
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0
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6576
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January 27, 2017
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Our Vectors, Ourselves
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1
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6457
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January 26, 2017
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The Device Laid Bare: On Some Limitations in Current Art Criticism
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0
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8471
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January 25, 2017
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On Anthropolysis
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1
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7036
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January 19, 2017
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XOXO Insanity, Institution
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0
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5849
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January 18, 2017
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Michael Asher (1943–2012): Parting Words and Unfinished Work
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0
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7006
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January 13, 2017
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Mass Gestaltung
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0
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6154
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January 13, 2017
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Workplace Aesthetics Might Not Be Enough
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0
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5815
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January 11, 2017
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Art without Death
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0
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7375
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January 9, 2017
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I Spy with my Machine Eye
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0
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6529
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January 4, 2017
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Engineering Self
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0
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7291
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December 28, 2016
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What Is the Social in Social Media?
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0
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9069
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December 24, 2016
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In Conversation with Raoul Vaneigem
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0
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8396
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December 20, 2016
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How To Kill People: A Problem of Design
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0
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8638
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December 19, 2016
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A Building on Fifth Avenue
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0
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6978
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December 19, 2016
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Permanent Collection
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0
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6604
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December 19, 2016
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A Hyperbolic Proposition
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0
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6780
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December 19, 2016
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Digital Objects and Metadata Schemes
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0
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8656
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December 19, 2016
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Geontologies: The Figures and the Tactics
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0
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8872
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December 19, 2016
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Facilities for Correction
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0
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5731
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December 19, 2016
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Amplified Humanity and the Architectural Criminal
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0
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6105
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December 19, 2016
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We Are Red Parakeets
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1
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5799
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December 18, 2016
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Surrogacity: Just like James Franco
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0
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6099
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December 16, 2016
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Animation, De-reification, and the New Charm of the Inanimate
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0
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7508
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December 14, 2016
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Plastiglomerate
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0
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9870
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December 14, 2016
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After the Third End
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0
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5119
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December 12, 2016
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In The Forest Ruins
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0
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8881
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December 10, 2016
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