|
Carnival to Commons: Pussy Riot, Punk Protest, and the Exercise of Democratic Culture
|
|
0
|
6122
|
December 2, 2016
|
|
Back to the Future: Report from Hungary
|
|
0
|
4776
|
December 2, 2016
|
|
People of Intensity, People of Power: The Nietzsche Economy
|
|
0
|
6165
|
December 2, 2016
|
|
Marx After Duchamp, or The Artist’s Two Bodies
|
|
0
|
6514
|
December 2, 2016
|
|
In Conversation with Julian Assange, Part II
|
|
0
|
7395
|
December 2, 2016
|
|
Neo-Materialism, Part Three: The Language of Commodities
|
|
0
|
6119
|
December 2, 2016
|
|
“A live monster that is fruitful and multiplies”: Capitalism as Poisoned Rat?
|
|
0
|
6056
|
December 2, 2016
|
|
Time, Acceleration, and Violence
|
|
0
|
7231
|
December 2, 2016
|
|
The Future After the End of the Economy
|
|
0
|
7284
|
December 2, 2016
|
|
Neo-Materialism, Part I: The Commodity and the Exhibition
|
|
0
|
8092
|
December 2, 2016
|
|
A History of Infinity and Some Fresh Catastrophes: On Raqs Media Collective’s The Capital of Accumulation
|
|
0
|
4991
|
December 2, 2016
|
|
The Stories Things Tell And Why They Tell Them
|
|
0
|
6391
|
December 2, 2016
|
|
Performing Objects, Narrating Installations: Moscow Conceptualism and the Rediscovery of the Art Object
|
|
0
|
5938
|
December 2, 2016
|
|
Editorial—“Alternative Economies”
|
|
0
|
4520
|
December 2, 2016
|
|
Planktons in the Sea: A Few Questions Regarding the Qualities of Time
|
|
0
|
5850
|
December 2, 2016
|
|
Breaking the Contract
|
|
0
|
6323
|
December 2, 2016
|
|
Let All Mortal Flesh Keep Silence: The Voice in Mike Kelley’s Music
|
|
0
|
6208
|
December 2, 2016
|
|
After the Last Man: Images and Ethics of Becoming Otherwise
|
|
0
|
6769
|
December 2, 2016
|
|
Intangible and Concrete: Notes on Architecture and Abstraction
|
|
0
|
7898
|
December 2, 2016
|
|
The New “Depthiness”
|
|
0
|
7863
|
December 2, 2016
|
|
The Nigerian Connection: On NSK Passports as Escape and Entry Vehicles
|
|
0
|
6573
|
December 2, 2016
|
|
Inside Abstraction
|
|
0
|
6574
|
December 2, 2016
|
|
Animism in the Sciences Then and Now
|
|
0
|
6952
|
December 2, 2016
|
|
Severo’s Severity and Antolín’s Paradox
|
|
0
|
4518
|
December 2, 2016
|
|
Duty-Free Art
|
|
0
|
8998
|
December 2, 2016
|
|
Conceptual Realism: The Vulgar Freedom of Avant-Garde Museum Work
|
|
0
|
6167
|
December 2, 2016
|
|
X-Screens: Röntgen Architecture
|
|
0
|
7350
|
December 2, 2016
|
|
Geopolitics and Contemporary Art, Part I: From Representation’s Ruin to Salvaging the Real
|
|
0
|
7573
|
December 2, 2016
|
|
Digital Provenance and the Artwork as Derivative
|
|
0
|
7504
|
December 2, 2016
|
|
Transdemocracy
|
|
0
|
6093
|
December 2, 2016
|