e-flux Conversations has been closed to new contributions and will remain online as an archive. Check out our new platform for short-form writing, e-flux Notes.

e-flux conversations

Rebecca Solnit on hope in dark times

For the Guardian, Rebecca Solnit writes about hope in dark times. Solnit originally published a book on the matter in the early naughts, and will amend it for our increasingly dark days today. Read Solnit in partial below, or in full via the Guardian.

Your opponents would love you to believe that it’s hopeless, that you have no power, that there’s no reason to act, that you can’t win. Hope is a gift you don’t have to surrender, a power you don’t have to throw away. And though hope can be an act of defiance, defiance isn’t enough reason to hope. But there are good reasons.

In 2003 and early 2004, I wrote a book to make the case for hope. Hope in the Dark was, in many ways, of its moment – it was written against the tremendous despair at the height of the Bush administration’s powers and the outset of the war in Iraq. That moment passed long ago, but despair, defeatism, cynicism and the amnesia and assumptions from which they often arise have not dispersed, even as the most wildly, unimaginably magnificent things came to pass. There is a lot of evidence for the defence.

Coming back to the text more than a dozen tumultuous years later, I believe its premises hold up. Progressive, populist and grassroots constituencies have had many victories. Popular power has continued to be a profound force for change. And the changes we have undergone, both wonderful and terrible, are astonishing.

This is an extraordinary time full of vital, transformative movements that could not be foreseen. It is also a nightmarish time. Full engagement requires the ability to perceive both. The 21st century has seen the rise of hideous economic inequality, perhaps due to amnesia both of the working people who countenance declines in wages, working conditions and social services, and the elites who forgot that they conceded to some of these things in the hope of avoiding revolution. The attack on civil liberties, including the right to privacy, continues long after its “global war on terror” justifications have faded away.

Worse than these is the arrival of climate change, faster, harder and more devastating than scientists anticipated. Hope doesn’t mean denying these realities. It means facing them and addressing them by remembering what else the 21st century has brought, including the movements, heroes and shifts in consciousness that address these things now. This has been a truly remarkable decade for movement-building, social change and deep shifts in ideas, perspective and frameworks for large parts of the population (and, of course, backlashes against all those things).


It is important to say what hope is not: it is not the belief that everything was, is or will be fine. The evidence is all around us of tremendous suffering and destruction. The hope I am interested in is about broad perspectives with specific possibilities, ones that invite or demand that we act. It is also not a sunny everything-is-getting-better narrative, though it may be a counter to the everything-is-getting-worse one. You could call it an account of complexities and uncertainties, with openings. “Critical thinking without hope is cynicism, but hope without critical thinking is naivety,” the Bulgarian writer Maria Popova recently remarked. And Patrisse Cullors, one of the founders of Black Lives Matter, early on described the movement’s mission as to “Provide hope and inspiration for collective action to build collective power to achieve collective transformation, rooted in grief and rage but pointed towards vision and dreams”. It is a statement that acknowledges that grief and hope can coexist.

The tremendous human rights achievements – not only in gaining rights but in redefining race, gender, sexuality, embodiment, spirituality and the idea of the good life – of the past half-century have flowered during a time of unprecedented ecological destruction and the rise of innovative new means of exploitation. And the rise of new forms of resistance, including resistance enabled by an elegant understanding of that ecology and new ways for people to communicate and organise, and new and exhilarating alliances across distance and difference.

Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act. When you recognise uncertainty, you recognise that you may be able to influence the outcomes – you alone or you in concert with a few dozen or several million others. Hope is an embrace of the unknown and the unknowable, an alternative to the certainty of both optimists and pessimists. Optimists think it will all be fine without our involvement; pessimists adopt the opposite position; both excuse themselves from acting. It is the belief that what we do matters even though how and when it may matter, who and what it may impact, are not things we can know beforehand. We may not, in fact, know them afterwards either, but they matter all the same, and history is full of people whose influence was most powerful after they were gone.

There are major movements that failed to achieve their goals; there are also comparatively small gestures that mushroomed into successful revolutions. The self-immolation of impoverished, police-harassed produce-seller Mohamed Bouazizi on 17 December 2010, in Tunisia was the spark that lit a revolution in his country and then across northern Africa and other parts of the Arab world in 2011. And though the civil war in Syria and the counter-revolutions after Egypt’s extraordinary uprising might be what most remember, Tunisia’s “jasmine revolution” toppled a dictator and led to peaceful elections in that country in 2014.

Whatever else the Arab spring was, it is an extraordinary example of how unpredictable change is and how potent popular power can be. And five years on, it is too soon to draw conclusions about what it all meant. You can tell the genesis story of the Arab spring other ways. The quiet organising going on in the shadows beforehand matters. So does the comic book about Martin Luther King and civil disobedience that was translated into Arabic and widely distributed in Egypt shortly before the uprising. You can tell of King’s civil disobedience tactics being inspired by Gandhi’s tactics, and Gandhi’s inspired by Tolstoy and the radical acts of noncooperation and sabotage of British female suffragists.

So the threads of ideas weave around the world and through the decades and centuries. There is another lineage for the Arab spring in hip-hop, the African-American music that’s become a global medium for dissent and outrage; Tunisian hip-hop artist El Général was, along with Bouazizi, an instigator of the uprising, and other musicians played roles in articulating the outrage and inspiring the crowds.

After a rain mushrooms appear on the surface of the earth as if from nowhere. Many come from a sometimes vast underground fungus that remains invisible and largely unknown. What we call mushrooms, mycologists call the fruiting body of the larger, less visible fungus. Uprisings and revolutions are often considered to be spontaneous, but it is the less visible long-term organising and groundwork – or underground work – that often laid the foundation. Changes in ideas and values also result from work done by writers, scholars, public intellectuals, social activists and participants in social media. To many, it seems insignificant or peripheral until very different outcomes emerge from transformed assumptions about who and what matters, who should be heard and believed, who has rights.

Ideas at first considered outrageous or ridiculous or extreme gradually become what people think they’ve always believed. How the transformation happened is rarely remembered, in part because it’s compromising: it recalls the mainstream when the mainstream was, say, rabidly homophobic or racist in a way it no longer is; and it recalls that power comes from the shadows and the margins, that our hope is in the dark around the edges, not the limelight of centre stage. Our hope and often our power.

*Image of Rebecca Solnit via the rivardreport.com